1997 Lady of the Flowers custom substrate
1997 Lady of the Flowerscustom substrate Custom Substrate Krause Studio, Marshfield Hills, Massachusetts, 1997re “Lady of the Flowers” 24×22 inches (61×56 cm)©Dorothy Simpson Krause 1997 Working in the software program Painter, Krause combined the two images by layering them together. (left) Krause used a process called “cloning” to create a copy of the image. She filled the […]
1998 Stars of Hope digital print
Contemporary Impressions Edition Krause Studio, Marshfield Hills, MA,1998 “Stars of Hope” 9 x 8 inches (22.9 x 20.3 cm)©Dorothy Simpson Krause 1998 “Stars of Hope” combines three source images captured with the Olympus D600L digital camera; a painting of an angel on the wall at The Poor Farm where the curators stayed; a boat at anchor […]
1998 Trinity Place 8′ x 80′ outdoor mural
Outdoor Mural Commission for Raymond Property Company, Boston, MA, 1998 “Appeal” 48×72 inches (122 x 56 cm)©Dorothy Simpson Krause 1998 Commissioned by Raymond Property Company, “Appeal” is one of twenty panels Krause created to celebrate “The Avenue of the Arts” and mask the construction site of Trinity Place, one of Boston’s newest condominium projects. For this […]
1998 Farm Journal Littleton vitreography
Vitreographic Transfers Littleton Studios, Spruce Pine, N.C., 1998 from the “heARTland” portfolio 24×30 inches (61 x 76 cm) “Farm Journal”, “Hired Hand” and “Gunslinger” incorporate pages from a journal kept by Reubin Johnson of Stephentown, NY from 1860 to 1868. During those years he records the death of both his father and mother and the […]
1999 Preacherman emulsion transfer
Emulsion Transfer Process Krause Studio, Marshfield Hills, MA., 1999 “Preacherman” 35×28 inches (89 x 71 cm)©Dorothy Simpson Krause 1999 The image was composed from three scanned objects, a daguerreotype which indicated on the back that the man pictured was a preacher, a map and a portion of the face of a 19th century clock. The […]
1999 Primordial Fear emulsion transfer, lenticular
Lenticular Printmaking/ HomeoStatic Portfolio Krause Studio, Marshfield Hills, MA. 1999 “Primordial Fear”35 x 28 inches (89 x 71 cm)© Dorothy Simpson Krause 1999 The image, “Primordial Fear”, was composed from six scanned objects: a photograph by Viola Kaumlen of a dramatic sky; a diagram of Babbage’s computing engine; an early transistor; a photograph by Jan […]
2000 Flint custom substrate
Custom Substrate Krause Studio, Marshfield Hills, MA. 2000 In the fall of 1998 I spent two weeks in Tibet. I bought a large book of handmade paper in Nepal to record my impressions and make collages from materials gathered along the way. I also took hundreds of photographs. I spent all of 1999 trying […]
2000 Portrait lenticular prints and pin
Lenticular Printmaking: “Portrait” used in two prints Krause Studio, Marshfield Hills, MA., 2001 A 2″ square lenticular pin is being carried by the Gift Shop of the Brooklyn Museum of Art. child young woman elderly woman lenticular portrait A lenticular print is made by placing an “interlaced” image, (cut and reassembled in vertical strips), behind […]
2001 HappyHome emulsion transfer
Experimental Printmaking Process: Custom Substrate Krause Studio, Marshfield Hills, MA. 2001 A 2″ square lenticular pin is being carried by the Gift Shop of the Brooklyn Museum of Art. “Happy Home” 48×48 inches©Dorothy Simpson Krause 2001 “Happy Home” was composed from two scans; a collage using a package of “Happy Home” needles and an icon, […]
2002 Promised Land embedded lenticular
Embedded Lenticular Print Krause Studio, Marshfield Hills, MA, 2002 Using the lenticular software, 3D Genius, the tiff files were putinto an animation, cut and reassembled in vertical strips. This interlaced file was printed with the Epson 9500 on Rexam clear film “Promised Land” 16×24 inches (40 x 60 cm)©Dorothy Simpson Krause 2002 The collaged journal pages […]